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While several people I spoke with unthinkingly used the term “tit-for-tat” in describing this proliferation, all nudity is not created equal.
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How to explain the onslaught? In interviews, academics and intimacy coordinators listed reasons including the ubiquity of pornography the uptick in queer, female and nonbinary showrunners the impact of the #MeToo movement the presence of intimacy coordinators and the need for attention grabs in a saturated media landscape.
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Tanya Horeck, a professor who studies gender and sexuality in contemporary media, briskly listed recent series that have shown full-frontal male nudity: “Sens8,” “Euphoria,” “Scenes From a Marriage,” “Sex/Life,” “Succession,” “Pam & Tommy,” “The White Lotus.” (She could have added “The Leftovers,” “Looking,” “Outlander,” “Shameless,” “Togetherness,” “Easy” and “The Affair,” too.) “Classy.” So the pilot includes a minute-long scene in which about 18 men audition, bottomless, for the privilege. “Not like a schvantz right in the face,” Doug says. Doug convinces Joyce that they should collaborate on a new one, Minx, an erotic magazine for women modeled on real ’70s titles like Viva and Playgirl.Īn erotic magazine needs a centerfold, of course. It stars Ophelia Lovibond as Joyce, a hard-line feminist who becomes enmeshed with Doug (Jake Johnson), a publisher of soft-core magazines like Secretary Secrets and Feet Feet Feet.
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“Minx,” a cheeky comedy set in 1970s Southern California, swaggers onto HBO Max on Thursday. “I just wanted it all.” (The photos were not of the actors’ faces.) “Like: small ones, big ones, crooked ones, foreskin,” Rapoport recalled. I always think I should pay respect to that condition of being human.A year and a half ago, when it came time to cast a particular scene in the pilot episode of “Minx,” the showrunner Ellen Rapoport sifted through hundreds of photos of background actors, which had already been sorted into piles. We are naked part of the day and part of the day we are dressed up. By the way, there is nudity in general in my movies. They could have felt provocative or radical, but I saw them as organic.
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HBO has been wonderful in endorsing my choices. I also think that to show nudity - male, female - if it’s in the context of something that makes sense, is a way to liberate the eye. And he said, “I always felt embarrassed when I saw in films the camera strategically not showing something. And they tease him, with one of them taking off his trunks and throwing it in his direction.ĭuring an interview with Variety, Luca Guadagnino, who directed all 8 episodes of the show, was asked about his decision to put full-frontal male nudity in the show, a rarity for American films and television shows.
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While the other teenagers who are all so familiar with each other frolic in the water, Fraser is left by himself. There is also another scene of frontal nudity, which occurs after Britney befriends Fraser and brings him along with the rest of her clique on a trip to the beach. In his bumbling embarrassment at being noticed by one of them, Britney, he stumbles into a shower room filled with naked soldiers.Īnd we don’t have just shots of their ass to tell us they’re naked. He notices a clique of other army brats and is too self conscious to approach them. In the first episode, Fraser, who has just moved into the base with his two moms, is out and about, familiarizing himself with his new surroundings. The series, Guadagnino’s first for TV, also grapples with issues of sexuality and gender identity. It explores their burgeoning friendship - Fraser is artistic, shy, and volatile, while Caitlin is more outgoing, but also dealing with her own nagging insecurities. The HBO-Sky series, which debuted on September 14, follows two teenagers, Fraser (Jack Dylan Grazer) and Caitlin (Jordan Kristine Seamón), who live on a military base in Italy. Luca Guadagnino, the Oscar-nominated filmmaker behind fan-favourite, Call Me By Your Name, has returned with coming-of-age story for the small screen, We Are Who We Are. There’s Full-Frontal Male Nudity On HBO’s Latest Series, ‘We Are Who We Are’